euthanizeallwhitepeople:

danggeun:

ilovetoskiatalta:

danggeun:

앞머리를 잘랐어 :D :D

You are really cute and so is your mom……..BTW way pickle is a girl and WHHHHHOOOAAAA she is Korean !!!!!! You really should learn to lighten up !! Just sayin…….misss Koreaboo !!

So damn cute don’t at think peanut ?

GET OFF MY BLOG. DELETE ALL MY POSTS YOU REBLOGGED. DON’T FUCKING TALK ABOUT MY MOM. GET THE FUCK AWAY FROM ME. HOW FUCKING DARE YOU. GET THE FUCK OFF MY BLOG

…Holy fucking shit

A really fucking creepy porn blog fetishizing Korean women (that’s called “Korean Girlz That Only Speak Engrish !!”… posted danggeun's photo and not only said gross things about her Mother, but reposted a picture of her Mother sleeping..

ONTO THEIR PORN BLOG.


To say these people are fucking scum would be a compliment.
These people are not worthy of life. They treat Asian women as if they’re not human, dehumanizes and abuses and demeans them, does and says things to attack them very personally because provoking a reaction is some kind of demented turn on.

Report ilovetoskiatalta for this blatant harassment. The fact that Tumblr users do this quite openly, behind the veil of anonymity, needs to be fucking addressed.

571 notes

elphabaforpresidentofgallifrey:


fuckingrecipes:

foxyplaydate:

ALRIGHT MOTHERFUCKERS LISTEN UP.
YOU SEE THAT SHIT UP THERE THAT’S FUCKING CHOCOLATE LAVA CAKE
DO YOU WANT TO MAKE A CAKE COVERED IN HOT GOOEY CHOCOLATE FROSTING IN LESS THAN 15 MINUTES? 
THE CORRECT ANSWER IS A VIKING WAR CRY AS YOU CHARGE INTO BATTLE.
STEP 1: COMPLETE A VIRGIN SACRIFICE. (SATAN MUST BE PRESENT BECAUSE THIS CAKE IS SO DELICIOUS IT’S PROBABLY A SIN.)
STEP 2: PREPARE GENERIC BOX CAKE RECIPE ACCORDING TO BOX DIRECTIONS. BACK TO THE CLASSICS MOTHERFUCKER. MIX USING THE SPINE OF YOUR ENEMIES. 
STEP 3: POUR INTO A LARGE MICROWAVESAFE CONTAINER (LARGER THE BETTER, BUT IT NEEDS TO BE DEEPER THAN THE MARIANAS TRENCH FOR OPTIMAL LAVA)
STEP 4: TAKE A SMALL TUB OF GENERIC FROSTING FROM YOUR LOCAL SUPERMARKET OF SIN. SWIPE A MACHETE AROUND THE INSIDE OF THE TUB LOOSENING THE WHOLE TUB FROM THE SIDES AND PLOP INTO MIDDLE OF YOUR CAKE BATTER. DO NOT MIX. 
STEP 5: PUT INTO MICROWAVE FOR EIGHT MINUTES AND SET THE TABLE USING CHINA YOU RAIDED FROM WEAKER VILLAGES. 
STEP 6: REMOVE FROM MICROWAVE AND LET SIT FOR ABOUT THIRTY SECONDS. THIS IS BEST SERVED MOLTEN LAVA HOT ACCENTUATED WITH THE TASTE OF BLISTERS ON YOUR TONGUE. 
STEP 7: GET A SERVING DISH WITH A LIP THAT CURVES UPWARD SO LAVA DOES NOT OVERFLOW AND PLACE UPSIDE DOWN ON TOP OF CAKE AND FLIP OVER.
STEP 8: LIFT SLOWLY, COOKED CAKE WILL SIT ON PLATE AND LIQUID FROSTING WILL SPILL OVER SIDES. 
STEP 9: CELEBRATE WITH VICTORY SEX. 
STEP 10: EAT. 

IF YOU’RE ONE OF THOSE GORGEOUS FUCKERS WHO DON’T ACTUALLY LIKE SEX, YOU CAN SUBSTITUTE WITH AGGRESSIVE CUDDLING OR NEON-COLORED POST-IT NOTES FULL OF ADMIRATION FOR SOMEONE’S EXISTENCE. 

did fuckingrecipes just equalize this post for the asexual population gallifrey bless fuckingrecipes

elphabaforpresidentofgallifrey:

fuckingrecipes:

foxyplaydate:

ALRIGHT MOTHERFUCKERS LISTEN UP.

YOU SEE THAT SHIT UP THERE THAT’S FUCKING CHOCOLATE LAVA CAKE

DO YOU WANT TO MAKE A CAKE COVERED IN HOT GOOEY CHOCOLATE FROSTING IN LESS THAN 15 MINUTES? 

THE CORRECT ANSWER IS A VIKING WAR CRY AS YOU CHARGE INTO BATTLE.

STEP 1: COMPLETE A VIRGIN SACRIFICE. (SATAN MUST BE PRESENT BECAUSE THIS CAKE IS SO DELICIOUS IT’S PROBABLY A SIN.)

STEP 2: PREPARE GENERIC BOX CAKE RECIPE ACCORDING TO BOX DIRECTIONS. BACK TO THE CLASSICS MOTHERFUCKER. MIX USING THE SPINE OF YOUR ENEMIES. 

STEP 3: POUR INTO A LARGE MICROWAVESAFE CONTAINER (LARGER THE BETTER, BUT IT NEEDS TO BE DEEPER THAN THE MARIANAS TRENCH FOR OPTIMAL LAVA)

STEP 4: TAKE A SMALL TUB OF GENERIC FROSTING FROM YOUR LOCAL SUPERMARKET OF SIN. SWIPE A MACHETE AROUND THE INSIDE OF THE TUB LOOSENING THE WHOLE TUB FROM THE SIDES AND PLOP INTO MIDDLE OF YOUR CAKE BATTER. DO NOT MIX. 


STEP 5: PUT INTO MICROWAVE FOR EIGHT MINUTES AND SET THE TABLE USING CHINA YOU RAIDED FROM WEAKER VILLAGES. 

STEP 6: REMOVE FROM MICROWAVE AND LET SIT FOR ABOUT THIRTY SECONDS. THIS IS BEST SERVED MOLTEN LAVA HOT ACCENTUATED WITH THE TASTE OF BLISTERS ON YOUR TONGUE. 

STEP 7: GET A SERVING DISH WITH A LIP THAT CURVES UPWARD SO LAVA DOES NOT OVERFLOW AND PLACE UPSIDE DOWN ON TOP OF CAKE AND FLIP OVER.

STEP 8: LIFT SLOWLY, COOKED CAKE WILL SIT ON PLATE AND LIQUID FROSTING WILL SPILL OVER SIDES. 

STEP 9: CELEBRATE WITH VICTORY SEX. 

STEP 10: EAT. 

IF YOU’RE ONE OF THOSE GORGEOUS FUCKERS WHO DON’T ACTUALLY LIKE SEX, YOU CAN SUBSTITUTE WITH AGGRESSIVE CUDDLING OR NEON-COLORED POST-IT NOTES FULL OF ADMIRATION FOR SOMEONE’S EXISTENCE. 

did fuckingrecipes just equalize this post for the asexual population gallifrey bless fuckingrecipes

(Source: achillesvevo)

85,445 notes

zayrn:

there’s literally no point in teaching girls to be body positive if you only use men’s opinions for validation like “boys like girls with curves” nah get that the fuck out of here

213,652 notes

myjetpack:

Twelve of my Guardian cartoons are now available as prints, one is shown above. Each print is available in a signed and numbered edition of 100 archive quality giclee prints on 300gsm Hahnemule photo rag paper. You can order them on my website.

myjetpack:

Twelve of my Guardian cartoons are now available as prints, one is shown above. Each print is available in a signed and numbered edition of 100 archive quality giclee prints on 300gsm Hahnemule photo rag paper. You can order them on my website.

558 notes

taeyeonsegye:

A life motto from Taeyeon

there’s a taeyeon inside us all

16,706 notes

I am a feminist. I’ve been female for a long time now. I’d be stupid not to be on my own side.
Maya Angelou (via vaguelyhomicidal)

(Source: robert-winchester-novak)

159,514 notes

regularbullshit:

atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.
With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.
It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.
Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.
This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

I’m so enlightened.

regularbullshit:

atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.

With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.

It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.

Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.

This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

I’m so enlightened.

(Source: melanskyyworld)

52,432 notes

A Halloween PSA

pixiesizedprincess:

Halloween store are popping up, which means that no matter how offensive you find the costumes, DO NOT harass the employees or make their lives miserable by defacing merchandise. They are seasonal, minimum wage workers and attacking them gets you nowhere.

24,551 notes

opalinebaby:

forgetpolitics:

Love how all the POC look 1000% done with this shit.

it’s that time of year again

(Source: fenisoffended)

226,987 notes